Assigns different pan positions to the different component pitches in the input signal.

The effect pitch has on pan position is controlled by control points, which can change in pan position and pitch according to LFOs. This adds stereo depth and motion to sounds.

Mixes together multiple pitch-shifts of the input signal, increasing or decreasing their pitches in parallel, and fading them in/out at the extremes of their range.

This creates the illusion of a sound that seems to continually rise or fall, but doesn't actually change in average pitch.

Creates harmonic resonances by pitch shifting the dominant frequencies in your input signal by the various intervals in the harmonic series (octave, octave+fifth, two octaves, two octaves+major third etc).

These harmonics can be mixed with the dry input signal to make it more resonant, or used on their own as a new sound.

Bisects the input signal according to the lengths of its component frequencies. Short sounds become the 'transient' part, long sounds become the 'stable' part.

These parts can be isolated (ie the other part removed), or assigned different pan positions to create stereo movement.

Applies a convolution matrix to the spectral representation of the input signal.

This bends the sound along the continuum between pure sine tones and pure noise.